Pre-festival event with Moon Letters, Julie Slick, and Kitsune

We’re happy to announce a new Seaprog Presents event that will happen in conjunction with Cascadence 2025. The night before, Friday June 13, we’ve arranged for an evening of great music featuring names both familiar and new. Join us at the Substation to see Moon Letters, Julie Slick, and Kitsune for a warm-up to get you into the mood for Cascadence.

Moon Letters at Seaprog 2019, photo by Danette Davis
Moon Letters at Seaprog 2019, photo by Danette Davis

Moon Letters likely needs no introduction to anyone who’s ever been interested in one of our events. They played on Day Zero of Seaprog 2017, and then on the main stage at the 2019 festival. Since then, they’ve also toured around North America, and they’ve got European dates coming up this summer. When it comes to progressive rock from Seattle, they are at the top, and their modern take on the classic style — not to mention their theatrical performance style — has won them fans around the world. With two acclaimed albums under their collective belt, they’ve been working on their third album, and this show will serve as the release party. Even people who aren’t into prog rock have been won over by their musicianship and blend of fun and serious chops. Definitely not something you want to miss!

Julie Slick, photo by Jon Davis
Julie Slick solo performance

Julie Slick’s name has also appeared on our bills before, both with her band EchoTest (2019) and as a member of Troot (also 2019). Aside from that, she’s toured and collaborated with Adrian Belew, Crimson ProjeKct, Béla Fleck, Robert Fripp, Alice Cooper, and many more. On her own, she’s recorded a number of solo albums (three or more, depending on how you count) and has developed a captivating live solo set, augmenting her formidable bass skills with electronics and loops. The music blends experimental elements with accessible melodies, and has been known to feature adaptations of songs by King Crimson, EchoTest, and others, along with improvisations and storytelling.

In addition to these two familiar names, we’d like to bring attention to a much newer group, though it too has connections to some of our past events.

Kitsune live at Slim's Last Chance, photo by Danette Davis
Kitsune, photo by Danette Davis

Founded in 2016 by Kiyan Fox, Kitsune began as an exploration of planetary energies through guitar experiments in magical intervals. Over time, the project evolved, incorporating drums, butoh dancers, and a diverse array of instrumentalists from Seattle’s avant-garde and progressive music scene. The result is a sound that’s neo-classical, lush, and evocative — sometimes delicate and pretty, other times dark and bombastic. The current lineup consists of Alicia DeJoie (guitar, violin, vocals), Charlie Bowlen (electronics, percussion), Jeff Jackson (bass, Mellotron), Kiyan Fox (guitar, samples), Lyam White (vocals, saxophone), and  Scott Adams (drums). They’re working on their first album, but their live shows around town have been gathering fans. We’re thrilled to be part of their journey, and feel confident that you will agree they’ve come up with a unique approach to making music.

Note that this is a separately ticketed event at the Substation. Advance tickets are $15, and it will be $20 at the door, so buy them now.

Artist profile: Rea / DeJoie Duo

Dennis Rea and James DeJoie
Dennis Rea and James DeJoie

Dennis Rea and James DeJoie are both fixtures on the Seattle progressive and experimental music scene, both together and separately. They are both members of Moraine, and individually have associations with Tempered Steel, Zhongyu, The Machine That We Built, Flame Tree, Zubatto Syndicate, and The Central Committee — and that’s just the ones which have been involved with Seaprog events!

Personnel:

  • Dennis Rea — Acoustic guitar
  • James DeJoie — Flute

Artist links:

Performances:

Artist profile: Band of Brothers

Tony Levin with Band of Brothers
Tony Levin with Band of Brothers

Bassist Tony Levin is a legend in progressive rock due to his tenure with King Crimson and in Peter Gabriel’s band, not to mention studio work with hundreds of other artists. But he started out in jazz and with Band of Brothers, featuring the famous bassist with his brother Pete on keyboards along with brothers Joe and Pat LaBarbera on drums and saxophone respectively, we get a taste of that side of his musical work.

Pete Levin has a long association with Gil Evans and his groups, in addition to Carla Bley, the Brecker Brothers, Charles Mingus, Annie Lennox, Bryan Ferry, Jaco Pastorius, and dozens more.

Pat LaBarbera is perhaps best known for his tenure in the Buddy Rich band, but he also worked extensively with Elvin Jones, and has released around a dozen albums as leader. Joe LaBarbera has played drums with many of the luminaries of jazz, including Bill Evans, John Abercrombie, Chuck Mangione, John Scofield, and Woody Herman.

Personnel:

  • Tony Levin — Bass
  • Pete Levin — Keyboards
  • Joe LaBarbera — Drums
  • Pat LaBarbera — Woodwinds

Artist links:

Performances:

Seaprog Presents Tony Levin with Band of Brothers, January 22, 2024

Tony Levin with Band of Brothers
Tony Levin with Band of Brothers

While plans for a 2024 Seaprog festival are still in the early stages, we’ve got a special Seaprog Presents event coming up. On Monday January 22 at Nectar Lounge, we’re proud to cosponsor Tony Levin with Band of Brothers, featuring the famous bassist with his brother Pete on keyboards along with brothers Joe and Pat LaBarbera on drums and saxophone respectively. We’re all familiar with Tony Levin’s work with King Crimson and Stick Men, and many of us are also aware that he’s played jazz as well. Pete Levin has had a long career as a jazz pianist, working quite a bit with Gil Evans, but having credits with David Sanborn, Jimmy Cobb, Freddie Hubbard, Paul Simon, John Scofield, and many more. Pat LaBarbera’s credits include Buddy Rich, Elvin Jones, Bruce Cockburn, and others, while Joe has worked with Woody Herman, Chuck Mangione, Bill Evans, Tony Bennett, and Diane Schuur, along with numerous others. The quartet follows after Levin Brothers, a group which has released three albums to date. Their sets feature an interesting combination of jazz standards, originals, and pieces drawn from Tony’s non-jazz work rearranged.

Opening the show we have local musicians Dennis Rea (guitar) and Jim DeJoie (woodwinds), both of whom are in Moraine, but have extensive backgrounds in jazz as well. We hope you’ll join us for a night of great music based in jazz, but reaching beyond typical boundaries. What else are you going to do on a Monday night in January?

Tickets are available online now, and don’t forget to express your interest on the Facebook event.

Seaprog Presents an evening of guitar music

The next in our Seaprog Presents series events will take place on September 21 at the Royal Room. This show will feature Guitar Cult, a collection of guitarists assembled by composer Ben McAllister to play his multi-guitar pieces. Also on the bill is the Seattle Guitar Circle, a long-running project of flexible membership coordinated by Steve Ball.

Seaprog Presents poster
Seaprog Presents poster

Seattle composer / guitarist Ben McAllister (Degenerate Art Ensemble, Wizard Prison, Tuktu, Medicine Hat) has been growing the Guitar Cult over the last 6 years — first as an 11-piece Ebow choir in 2017 for a one-off show at UW’s Meany Theater, evolving into a tight unit of six electric guitars. At last, they rise from the pandemic ashes, playing their first show together since 2020. Honing McAllister’s interlocking communal guitar excursions and adding drummer Neil Wilson has sharpened the work into precise hypnotic windows, which may call to mind the early phase musics of Steve Reich or Louis Andriessen but with a rock vocabulary.

Seattle Guitar Circle was founded in 1993 by Steve Ball, Bill Rieflin and Bill Van Buren. For 30 years, they have been playing eclectic, polyrhythmic prog chamber music arranged for large acoustic guitar ensemble all over the Seattle area. Seattle Guitar Circle has many related sub-groups such as Tuning the Air (seven years of weekly shows at Freemont Abby), Tiny Orchestral Moments (7+ years of workshops and live shows), and Argentina’s Electric Gauchos, recording and performing in Seattle since 1997.

This international community was initially born via Robert Fripp’s ‘Guitar Craft’ workshops that began in 1985. Each SGC performance is a combination of tightly-arranged chaos, layered guitars, ‘circulations’ — where each guitarist plays one note at a time in evolving melodies — and more.

SGC performs collaborative repertoire for layered guitars and voices including structured improvisation that sounds composed and composed collaboration that sounds improvised. This 2023 ‘Simple Songs’ performance brings to life new arrangements of pieces by Charles Ives, Chick Corea, Erik Satie, Hanai Rani, John Coltrane, Jon Brion, Jonny Greenwood, Leo Brouwer, Meredith Monk, Robert Fripp, Ryuichi Sakamoto — as well as new work from composers within the core SGC team.

Doors at 6:30, music begins at 7:30. Tickets $15 advance, $20 at the door.