Khu.éex’ band members revealed

Note that while this information was accurate when it was published, subsequent events have rendered it obsolete. Khu.éex’ will not be performing at Cascadence 2025.


From the beginning, Khu.éex’ has operated as a musical collective with flexible membership, depending on who is available at any given time. Of course, leader, founder, and bass player Preston Singletary will be on hand, as will long-time vocalist and flute player Gene Tagaban and guitarist Captain Raab.

Singletary is well known in the art world for his work with glass, bringing elements of his Tlingit heritage into stunning works that have been shown around the world. His pieces appear in the collections of dozens of museums around the country.

Through teaching and collaborating with Native American, Māori, Hawaiian, and Australian Aboriginal artists, I have come to appreciate how glass expands the possibilities of Indigenous art. Indigenous artistic perspectives are deeply tied to ancestral codes, land, and cultural symbolism, and working in glass adds another dimension to these traditions. This exchange of ideas continues to inform and inspire my work.

Tagaban is a respected storyteller, having appeared at many gatherings around the country, and has been featured in the films Shadow of the Salmon and The Business of Fancydancing. He is also a board member and trainer for the Native Wellness Institute.

Kúndlaan - The Wolf Pup with Moonlight in Her Eyes book cover
Kúndlaan – The Wolf Pup with Moonlight in Her Eyes by Sondra Segundo

Also on vocals, they’ll have Sondra Segundo, a Haida singer, artist, author, and educator. She has written and illustrated several books, and founded Haida Roots, an organization dedicated to preserving and teaching the Haida language.

Captain Raab has been providing guitar for Khu.éex’ from their first album, and he’s also released music on his own and with New Mexico band Red Earth.

After the passing of founding member Bernie Worrell, the primary keyboardist for the group has been Tim Kennedy, who is quite active on the Seattle jazz scene and teaches at The Seattle Jazz Academy. He also appeared at Seaprog 2014 with Zubatto Syndicate. Rounding out the rhythm section we’ll have Larry Mahlis (drums) and Denny Stern (percussion). Mahlis is a feature on the Seattle music circuit and teaches at Seattle Drum School.

The horn section will consist of Kate Olson (baritone sax), Gordon Brown (saxophone), and Jason Cressey (trombone). Brown and Cressey also work together in local R&B band The True Loves.

Kate Olson is a well-known solo artist and group leader as well as working with a number of bands in the area. She also recently won NW Jazz Instrumentalist of the Year in the annual Earshot Jazz Golden Ear Awards. Long-time festival attendees may also remember her as a member of Northern Cantrips at Seaprog 2015.


This outstanding group of musicians will be just one part of our Cascadence 2025 show, June 14 at Rainier Arts Center. Get your tickets now if you don’t already have them!

Exposé Online looks at Siyáadlan by Khu.éex’

Khu.éex’ — Siyáadlan cover art
Khu.éex’ — Siyáadlan cover art

Our friends over at Exposé Online have been covering the experimental, progressive, and avant-garde music of the world since way back in the 90s. They just published a review of the album Khu.éex’ release last year, Siyáadlan:

Khu.éex’ is a musical and performance group, and part of their mission is to help promote and preserve these cultures, with lyrics in the languages and subjects based on their experiences. Musically, elements of cosmic jazz, funk, and Philadelphia soul blend with hand drums and a spirit of experimentation to create a truly unique style. Some lyrics are in English as well, and they are sometimes sung, sometimes rapped, and sometimes spoken.

One of my favorite tracks is “Siigaay Gid uu Dii Iijang (Ocean Child I Am),” which has a loping triple beat reminiscent of North African music. And then there’s Captain Raab’s psychedelic guitar blast in the second half of “Shapeshifter.” Throughout the music, Khu.éex’ presents a decidedly modern take on traditional culture — the “music revolves around the Urban Indian experience of Native families from non-local tribes who have found themselves relocated to Seattle.”

Check out the full review here.

Khu.éex’ added to Cascadence 2025 roster

Note that while this information was accurate when it was published, subsequent events have rendered it obsolete. Khu.éex’ will not be performing at Cascadence 2025. See more information here.


Khu.éex’ playing live, photo by Dave McGraw
Khu.éex’ playing live, photo by Dave McGraw

We are more than thrilled to announce the participation of Khu.éex’ in this year’s festival. This group of Northwest musicians exemplifies the spirit of exploration and creativity that we seek to highlight, and they do it like no other band on the planet. Their music is distinctively their own, but complements that of headliner Gong in many ways.

The group began in 2013 with the chance meeting of local artist Preston Singletary (bass) and famed Funkadelic musician Bernie Worrell (keyboards), which led to a recording project featuring Skerik (saxophone), Stanton Moore (drums), Gene Tagaban (flute), and Clarissa Rizal (vocals, percussion) along with many guests. The debut album, The Wilderness Within, was released in 2016, followed by two more albums recorded before the passing of both Worrell and Rizal in 2016. Since that time, membership has changed, but their commitment to the music has remained. Their latest album, Red Cedar in the Hour of Chaos, is in the works, and should be released by the time of Cascadence.

Their blending of jazz and improvisational funk with lyrics and other elements of Tlingit, Haida, and Y’upic culture is unique in the world, and they also incorporate visual elements into their powerful performances. Be sure to follow them on Facebook and Instagram to keep up with their activities.